At the end of last year the Etisalat Prize for Literature released their 2015 longlist which Professor Ato Quayson describes:
“The range of submissions for the Etisalat Prize this represents the vitality of literary writing on the continent, and the longlist is a selective showcase of the best to be found. The subjects covered in the longlist are so fascinating and varied that it would take another novel just to describe them all. Magnificent!”
From the impressive longlist three novels have been shortlisted for the African Etisalat Prize for Literature. Two are from South African authors and the third from the Democratic Republic of Congo.
Fiston Mwanza Mujila (Democratic Republic of Congo), Tram 83
“In an African city in secession, which could be Kinshasa or Lubumbashi, land tourists of all languages and nationalities. They have only one desire: to make a fortune by exploiting the mineral wealths of the country. They work during the day in mining concession and, as soon as night falls, they go out to get drunk, dance, eat and abandon themselves in Tram 83, the only night-club of the city, the den of all the outlaws: ex children-soldiers, prostitutes, blank students, unmarried mothers, sorcerers’ apprentices… Lucien, a professional writer, fleeing the exactions and the censorship, finds refuge in the city thanks to Requiem, a youth friend. Requiem lives mainly on theft and on swindle while Lucien only thinks of writing and living honestly. Around them gravitate gangsters and young girls, retired or runaway men, profit-seeking tourists and federal agents of a non-existent State. Tram 83 plunges the reader into the atmosphere of a gold rush as cynical as, sometimes, comic and colorfully exotic. It’s an observation of human relationships in a world that has become a global village. It could be described as an African-rap or rhapsody novel or puzzle-novel hammered by rhythms of jazz.” (GoodReads)
Penny Busetto (South Africa), The Story of Anna P, as Told by Herself
“Anna P lives on an island off the coast of Italy but can no longer remember how she got there. She came from South Africa but has almost no memory of the place or people there. The only person she has a kind of personal relationship with is a sex worker whom she pays by the hour. It is only when she begins to connect emotionally with a young boy that she finds some value in herself, some place which she will not allow to be abused, and her life gradually changes. This meticulously crafted, atmospheric debut novel asks a number of difficult questions about the nature of memory: who are we if we lose our memories? What does it mean to have no identity? And if we have no identity, can we still make ethical choices?” (GoodReads)
Rehana Rossouw (South Africa), What Will People Say?
“Rehana Rossouw’s unique voice gives life and drama to this family saga. Hanover Park. The heart of the Cape Flats. It is 1986. Michael Jackson and Brenda Fassie rule every hi-fi. Princess Di and George Michael hairstyles are all the rage. There are plans to commemorate the tenth anniversary of the 1976 student uprising. Neville and Magda Fourie live in Magnolia Court with their three children. They are trying to ‘raise them decent’ in a township festering with gang wars and barricaded with burning tyres. Suzette, the eldest, is beautiful and determined to escape her family’s poverty. Nicky, the sensitive middle child, has ambitions to use her intellect as a way out. Anthony, the only son, attracted by power and wealth, is lured away from his family by a gangster. In What Will People Say? a rich variety of township characters – the preachers, the teachers, the gangsters and the defeated – come to life in vivid language as they eke out their lives in the shadows of grey concrete blocks of flats. Which members of the Fourie family will thrive, which ones will not survive? Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.” (GoodReads)